Publicity and academic Materials
press reviews
As Ping in Turandot with OperaDelaware
“In a winningly comic masked trio, André Chiang’s Ping stood out for his chiseled vocalism.”
“… they also brought moments of depth and reflection, especially in the cinematic-sounding trio where Chiang beautifully depicted Ping’s longing for his home “on a lake surrounded by bamboo” …”
As artist martinez and ecce homo in the world premiere of Behold the Man with Opera Las Vegas
“The opera’s synopsis intelligently followed the story of Cecilia, but what made this opera shine is how it imaginatively played up the ghost of artist Elías García Martínez and the “Ecce Homo” fresco. The audience was in love with baritone André Chiang as he let loose what one might describe as the “spirit of God” through his characters. Chiang delighted in the honesty of comedy and transparency of telling a good story at the same time. Every time he was on stage, or on screen as the virtual version of “Ecce Homo,” the audience was in tears laughing and commenting among one another. For me personally, I have never been to an opera where I felt the joy and excitement buzzing around me in this way. It was like a live wire generating a feel good buzz the entire time... In “Behold the Man” the idea of Jesus as a gif and meme gets transformed into a visual tapestry of hilariousness. Literally the panels at the back of the stage, where one can read subtitles, transition into a live action visual of the singing “Monkey Christ.” Baritone André Chiang sings as the botched “Ecce Homo” fresco and runs with it. The audience could not get enough of this scene. It’s also important to note that while visuals are common in operas nowadays, to experience them in this way is something brand new.”
As the Baritone Soloist in the World Premiere of Gran Misa by Martin Palmeri with Distinguished Concerts International New York presents ¡Buena Onda! Music from South America
“All the soloists (Ms. Holm, Kirsten Allegri Williams, Shawn Mlynek, and André Chiang) were excellent, and the large supportive audience went wild with their admiration, and why wouldn’t they?”
As the narrator in Svatební košile (the spectre’s bride) with the Berkeley community chorus and orchestra
“The Narrator was André Chiang, whose sinewy baritone rattled the rafters of Hertz Hall.”
as belcore in L'elisir d'amore with opera birmiingham
“Belcore, the arrogant military foil to Nemorino, was portrayed by Mobile baritone André Chiang, who brought comically-rich awkwardness to the commander’s mannerisms. In “Come Paride vezzoso,” he attempted to woo Adina, brandishing and flipping flowers in her face as though inviting a fencing match, and petting her wrist with an odd scratching/tickling motion. His full-bodied warm voice was a pleasure to hear and his tongue-in-cheek, stooge-ish approach was fresh.”
As Fiorello in Il baribiere di Siviglia with Virginia Opera
“... André Chiang was an unusually strong Fiorello — let’s hear more from this singer ...”
“Bass Andre Chiang, who was a terrific Anthony Hope in Virginia Opera’s 2014 “Sweeney Todd,” stands out as the count’s servant Fiorello and as the head policeman. Even in a minor role, he has great presence; one just wants to see and hear more of him.”
As Baron Duphol in La traviata with Virginia Opera
“While “Traviata” is notable for its focus on its three main characters, the supporting players are important as well, particularly the smaller roles of Flora Bervoix and Baron Douphol, Violetta’s once and future lover. Both were incisively played by Courtney Miller and André Chiang respectively, with Mr. Chiang’s austere dignity providing crucial support at important moments in this opera’s key conflict.”
“Other fine vocals were displayed by Malcolm MacKenzie (Georgio Germont, Alfredo’s father), Courtney Miller (Flora Bervoix), and Andre Chiang, as Baron Douphol.”
“Secondary leads are notable as well, especially baritone Andre Chiang, who cuts an aristocratic figure as Baron Duphol and sings with a bright, copper tone...”
As Le Dancaïre in Carmen with Virginia Opera
“Chiang had awesome clarity of voice, superb diction, and that indefinable thing called “presence”—when he was onstage, you had to look at him!”
“...even some of the supporting cast—Andre Chiang as a gypsy smuggler—offer stout voices to smaller roles.”
as Dr. Falke in Die fledermaus with Portland Opera
“The best surprise of the evening was André Chiang’s formidable baritone in the role of Dr. Falke. This bodes well for Chiang a former Portland Opera Resident Artist, and his burgeoning career.”
“All three baritones were handsome of voice: Daniel Belcher as Eisenstein seemed to change vocal color with ease; André Chiang as Dr. Falke was staid in his acting; Alexander Elliott as Frank played an older character credibly.”
As Anthony Hope in Sweeney Todd with Virginia Opera
“As the well-meaning but not-always-bright Anthony Hope,... Andre Chiang’s ringing but pleasant baritone added a normal and welcome counterpoint to the insanity transpiring on stage.”
“Chiang’s sensual “Johanna” followed by Opuszynski luscious “Green Finch and Linnet Bird” was easily one of the highlights of this production. Both exuded the youthful optimism of their characters set against the dark stains of industrial London.”
“Andre Chiang used his bright tenor deftly as Anthony and Amanda Opuszynski chirped sweetly as Johanna.”
“...some other strong showings, notably the baritone Andre Chiang, currently in the company’s young-artist program, as the naive young sailor Anthony...”
“Andre Chiang, as the young hero Anthony, performs his role with a rich baritone, as he sings a beautiful rendition of “Johanna.””
“Andre Chiang as Anthony, Amanda Opuszynski as Johanna and Jake Gardner as Judge Turpin are other standouts in the cast.”
“Amanda Opuszynski, as Johanna, and Andre Chiang, as Anthony Hope... are an attractive and suitably fresh-voiced couple. Chiang gives “I Feel You, Johanna,” the show’s big romantic number, the full measure of warmth and yearning.”
“Andre Chiang is a vocal highlight with the yearning ballad “Johanna”...”
“Baritone Andre Chiang’s big, ardent voice and honest simplicity are perfect for the role of Anthony Hope...”
As Argante in Rinaldo with Portland Opera
“Tenor Matthew Grills’ Goffredo, baritone André Chiang’s Argante and bass Nicolas Nelson’s Araldo and Mago covered the male range with vocally commanding performances.”
“...baritone Andre Chiang is a commanding Argante...”
“Resident artists Matthew Grills and André Chiang also give strong performances as the rival Christian captain and King of Jerusalem.”
as Younger Galileo in galileo galilei with portland opera
“Troxell’s lambent tenor quickly establishes the listener’s empathy with the old man, placed under house arrest and forced to recant his explanation of the solar system by the Inquisition. The younger Galileo is sung equally well as a baritone by André Chiang... The diction of all the singers is very clear, making it easy to follow the plot.”
“With a bold and resonant voice, baritone André Chiang plays younger Galileo...”
“The singers made the best of it... André Chiang took over as the younger man with similarly clear voice and stage presence.”
“Mostly because of the nature of Glass’ characterization, the character really comes to life as the younger Galileo, and baritone André Chiang, one of the cast’s “studio artists” (PO’s equivalent of Seattle Opera’s Young Artists Program), elicits the scientist’s exuberant, insatiable curiosity with flair.”
“Tenor Richard Troxell, who usually plays young men, was persuasive as Older Galileo, yielding midway to smooth baritone André Chiang (Salviati, Younger Galileo).”
“...Andre Chiang who plays him as the younger scientist (Chiang is an up-and-coming baritone who sang the Prince in this season of PO’s Madama Butterfly), made Galileo come alive at various ages and stages of life.”
Press Links
André plays the roles of Younger Galileo/Salviati on the commercial recording of Philip Glass’ Galileo Galilei. Click the image for the amazon listing!